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[主观题]

－Hello, may I talk to the headmaster please？－（).

A. Sorry, he is busy at the moment

B. No, you can't

C. Sorry, you can't

D. I don't know

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发布时间：2022-12-05

更多“－Hello, may I talk to the headmaster please？－（).”相关的问题

第1题

－－－－ Hello, may I talk to Rachel now？－－－－_____________

A.Sorry she is not at hom

B.No, you can‟t.

C.Sorry, you can‟t.

D.I don‟t know

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第2题

— Hello, may I talk to your father now？ — ____________________

A.Sorry, he’s busy at the moment.

B.You’re mad!

C.You’re really great.

D.You are right.

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第3题

-Hello, my I talk to Tom? -Sorry, Tom isn't in. - _____. -Sure.

A.Is there any way to get in touch with him？

B.Can I leave a message？

C.Does he work today？

D.Can I take a message for him？

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第4题

In the UK, in business situations, when you meet someone for the first time you shake

hands and say, “How do you do？”. This is not really a question, and the reply to it is another greeting such as “How do you do？” or “Hello” or “I'm very pleased to meet you” or, if you have met the person sometime before, “It's good to see you again”.

You don't shake hands every time you meet someone, you just greet them. If you are invited to someone's house for dinner, it is usual to take a present - some chocolates or flowers or, if you know them quite well, a bottle of wine. If you do not know the host well, don't be the last person to leave. Telephone the next day to thank the host for the meal. English people don't like to talk about personal things, and tend to avoid religion, politics and money.

Good topics for small talk (闲谈) are the weather, holidays, weekend activities, gardens and architecture (建筑物), especially houses and homes. When you go to a pub or bar, it's usual to take turns to buy a drink for everyone in your group and pay for the drinks when you get them from the bar and before you drink them.

Question:The first paragraph tells us how to greet someone in business situations.()

A.正确

B.错误

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第5题

Have a look at Paragraphs 11 to 13 to find out the comparisons made between people who live with oth

ers and those who live alone. Then fill out the chart below.

Paras. 11-13

If you live with other people, their temporary absence can be refreshing. Solitude will end on Thursday. If today I use a singular personal pronoun to refer to myself, next week I will use the plural form. While the others are absent you can stretch out your soul until it fills up the whole room, and use your freedom, coming and going as you please without apology, staying up late to read, soaking in the bath, eating a whole pint of ice cream at one sitting, moving at your own pace. Those absent will be back. Their waterproof winter coats are in the closet and the dog keeps watching for them at the window. But when you live alone, the temporary absence of your friends and acquaintances leaves a vacuum; they may never come back.

The condition of loneliness rises and falls, but the need to talk goes on forever. It's more basic than needing to listen. Oh, we all have friends we can tell important things to, people we can call to say we lost our job or fell on a slippery floor and broke our arm. It's the daily succession of small complaints and observations and opinions that backs up and chokes us. We can't really call a friend to say we got a parcel from our sister, or it's getting dark earlier now, or we don't trust that new Supreme Court justice.

Scientific surveys show that we who live alone talk at length to ourselves and our pets and the television. We ask the cat whether we should wear the blue suit or the yellow dress. We ask the parrot if we should prepare steak, or noodles, for dinner. We argue with ourselves over who is the greater sportsman: that figure skater or this skier. There's nothing wrong with this. It's good for us, and a lot less embarrassing than the woman in front of us in line at the market who's telling the cashier that her niece Melissa may be coming to visit on Saturday, and Melissa is very fond of hot chocolate, which is why she bought the powdered hot chocolate mix, though she never drinks it herself.

If you live with other people, ________________________. (Para. 11)

When you live alone: ________________________. (Para. 11)

Supporting details: We need to talk to others. ________________________. (Para. 12)

Supporting details: People who live alone will behave ridiculously: ________________________. (Para. 13)

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第6题

MRS WARREN: （piteously) Oh, my darling, how can you be so hard on me？ Have I no rights ove

MRS WARREN: (piteously) Oh, my darling, how can you be so hard on me？ Have I no rights over you as your mother？ VIVIE: Are you my mother？ MRS WARREN; (appalled) Am I your mother! Oh, Vivie! VIVIE : Then where are our relatives？ my father？ our family friends？ You claim the rights of a mother ; the right to call me fool and child; to speak to me as no woman in authority over me at college dare speak to me; to dictate my way of life; and to force on me the acquaintance of a brute whom anyone can see to be the most vicious sort of London man about town. Before I give myself the trouble to resist such claims, I may as well find out whether they have any real existence. MRS WARREN: (distracted, throwing herself on her knees) Oh no, no. Stop, stop. I am your mother; I swear it. Oh , you can t mean to turn on me—my own child \ it s not natural. You believe me, don t you？ Say you believe me. VIVIE : Who was my father？ MRS WARREN: You don t know what you re asking. I can t tell you. VIVIE: (determinedly) Oh yes you can, if you like. I have a right to know; and you know very well that I have that right. You can refuse to tell me, if you please, but if you do, will see the last of me tomorrow morning. MRS WARREN: Oh, it s too horrible to hear you talk like that. You wouldnt—you couldnt leave me. VIVIE: (ruthlessly) Yes, without a moment s hesitation, if you trifle with me about this. (Shivering with disgust) How can I feel sure that I may not have the contaminated blood of that brutal waster in my veins？ MRS WARREN: No, no. On my oath it s not he, nor any of the rest that you have ever met. I m certain of that, at least. Vivie s eyes fasten sternly on her mother as the significance of this flashes on her. Questions:

Identify the author and the title of the play.

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第7题

【D4】SPEAKER A: HELLO, MAY I SPEAK TO ALICE PLEASE？ SPEAKER B:【D4】______HOW"S IT GOING？ S

【D4】

SPEAKER A: HELLO, MAY I SPEAK TO ALICE PLEASE？ SPEAKER B:【D4】______HOW"S IT GOING？ SPEAKER A: I"VE BEEN TRYING TO CALL YOU ALL DAY. SPEAKER B:【D5】______I WAS CLEANING UP. SPEAKER A: IT"S OKAY. SPEAKER B: SO WHAT WERE YOU CALLING ME ABOUT？ SPEAKER A: OH, I JUST WANTED TO SEE【D6】______ SPEAKER B: SURE, WHAT DID YOU WANT TO DO？ SPEAKER A: MAYBE WE CAN GO SEE A MOVIE OR SOMETHIN

G. SPEAKER B: THAT SOUNDS LIKE FU

N. 【D7】______ SPEAKER A: I"LL SEE YOU TOMORROW THE

N. SPEAKER B: SEE YOU THE

N. GOODBYE A. SORRY ABOUT THAT.

B. LET"S DO IT.

C. THIS IS SH

D. IF YOU WANTED TO HANG OUT TOMORROW.

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第8题

【D7】SPEAKER A: HELLO, MAY I SPEAK TO ALICE PLEASE？ SPEAKER B:【D4】______HOW"S IT GOING？ S

【D7】

G. SPEAKER B: THAT SOUNDS LIKE FU